when a woman ascends the stairs letterboxd
naruse views her as objectively as possible and so should we. ‘女が階段を上る時’ The stairs here are societal, maybe social strata or maybe just the act of carrying on. ‘女が階段を上る時’ I'm miserable! As the film progresses, every moment of it reinforces this. The driving force to Lightning is none other than Hideko Takamine, who, from what I gather, is a frequent collaborator of Mikio Naruse.… Here is an up-to-date…, Juan-Carlos Arias 350 films 1,538 40 Edit. Nuansa sendu mengalir secara perlahan sepanjang filmnya. This review may contain spoilers. Like a constantly smiling Setsuko Hara looking for solutions to her seemingly inescapable economic, social, emotional and marital situation, surrounding circumstances pushes her to her limits and that is where the real character study unfolds and lets Takamine's stunning acting abilities to flourish, including those of bursting into tears. It seems that their many collaborations are comparable to that of Setsuko Hara and Ozu, I look forward to experiencing more. Let alone being into professions where society looks down upon. Another great piece from the Japanese New Wave, and what a year 1960 was. They are consequences of a male dominated society, of objectification, of callousness. Original title: Onna ga kaidan wo agaru toki. When a Woman Ascends the Stairs Criterion 377 1960 / B&W / 2:35 anamorphic widescreen / 111 min. Men are f**king cruel. Show All… It's not even a business exchange. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. Report this film. Immediately, the statements about the socioeconomic structure of Japan are spoken. Hideko Takamine Masayuki Mori Reiko Dan Tatsuya Nakadai Daisuke Katō Ganjirô Nakamura Eitarō Ozawa Keiko Awaji Chieko Nakakita Jun Tatara Yû Fujiki Masao Oda Ken Mitsuda Chikako Hosokawa Sadako Sawamura Kyū Sazanka Noriko Sengoku Kin Sugai Toshiko Higuchi Noriko Honma Natsuko Kahara Machiko Kitagawa Rumi Konishi Takuzō Kumagai Fumie Noguchi Yutaka Sada Akira Sera Toki Shiozawa Ayumi Sonoda Its beautifully shot and elegantly scored, it moves very quietly and patiently, but there's enough visual beauty and emotional, human drama to keep the viewer involved. Let alone being into professions where society looks down upon. They are imposed. Each route has dangers, including investors demanding a return on their loans. Plot Keiko, a young … The performance by Hideko Takamine is powerful, she's a charismatic woman and she inhabits the screen with such grace and force. please give this a watch! Synopsis: A … Does she actually have choices? This is all accentuated by a classy score and evocative cinematography that brings Ginza to life. Mikio Naruse is for sure a name I'll look more into. On the one hand, it was pure melodrama, with Keiko getting buried by indignity after indignity, never able to escape mounting obligations, complete with a friend’s accidental death and a nephew who needs an operation to walk. This is character development at its finest, a fully realized portrait of a human being stuck in…. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. When a woman Ascends the Stairs is about a bar hostess named Keiko, played by Hideko Takamine, who wants to move up or out of her life style. "When a Woman Ascends the Stairs" turned out to be extremely modern and easy to watch. And many other Mikio Naruse films. Film data from TMDb. Keiko, a young widow, becomes a bar hostess in Ginza to make ends meet. While she was capable of being as endearingly expressive as a Barbara Stanwyck or a María Félix, to name two of her equally gifted classical-era counterparts from abroad, she also often showed that she could be just as subtle and restrained as the best of them—as she does here, conveying her character's underlying emotions and feelings with the most minute of gestures. That is how I ended up watching "When a woman ascends the stairs" (1959), by Mikio Naruse. A woman that holds her head high, no matter what life throws at her... or what men throw at her, you could say. Here is an up-to-date…, Juan-Carlos Arias 350 films 1,537 40 Edit. On my fifth or so viewing, Hideko Takamine still emotes oh so wonderfully. Films where a city defines the film to the point where it becomes an integral character. A beautiful and moving character study of a brave, young woman trying to maintain her dignity in an unforgiving and competitive Japanese society, where she have to make choices that contradict her own values and principles. Show All… Men are f**king cruel. When a woman ascends the stairs, she steps into the den of lions. Like a constantly smiling Setsuko Hara looking for solutions to her seemingly inescapable economic, social, emotional and marital situation, surrounding circumstances pushes her to her limits and that is where the real character study unfolds and lets Takamine's stunning acting abilities to flourish, including those of bursting into tears. When a Woman Ascends the Stairs is a film directed by Mikio Naruse with Hideko Takamine, Masayuki Mori, Reiko Dan, Tatsuya Nakadai, .... Year: 1960. Rich businessmen, cocktails and soft jazz playing in the background. When a Woman Ascends the Stairs (1960) Turn off light Favorite Server clipwatching Video Player Server vidoza Video Player Server gounlimited Video Player MissMIster Καλλυντικά Ομορφιά & … When a Woman Ascends the Stairs, for instance, abounds in familiar faces not identified either in the booklet or the subtitles. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features This is all accentuated by a classy score and evocative cinematography that brings Ginza to life. As the film progresses, every moment of it reinforces this. please give this a watch! On the one hand, it was pure melodrama, with Keiko getting buried by indignity after indignity, never able to escape mounting obligations, complete with a friend’s accidental death and a nephew who needs an operation to walk. 1,507 films 7,236 123 Edit, Constantly updating. Starring Hideko Takamine, Masayuki Mori, Reiko Dan Keiko is motivated and very good at her job, but every step she takes is negotiated with a series of men -- to succeed at her job she needs to appeal to them, to…. An incredibly moving film. The veil of social decency morphs into a veil of affection, relations predicated on the commodity of love making true human connection impossible to find. Immediately, the statements about the socioeconomic structure of Japan are spoken. When a Woman Ascends the Stairs subtitles. When A Woman Ascends the Stairs 1960 1 hr 52 mins What might be Japanese filmmaker Mikio Naruse's finest hour--a delicate, devastating study of a woman, Keiko … Rules: 2.500+ ratings Non-English-Language Films, *Updated 12/15/20* Working my way through the entire Criterion Collection one spine number at a time. Thank you! Hideko Takamine Masayuki Mori Reiko Dan Tatsuya Nakadai Daisuke Katō Ganjirô Nakamura Eitarō Ozawa Keiko Awaji Chieko Nakakita Jun Tatara Yû Fujiki Masao Oda Ken Mitsuda Chikako Hosokawa Sadako Sawamura Kyū Sazanka Noriko Sengoku Kin Sugai Toshiko Higuchi Noriko Honma Natsuko Kahara Machiko Kitagawa Rumi Konishi Takuzō Kumagai Fumie Noguchi Yutaka Sada Akira Sera Toki Shiozawa Ayumi Sonoda I mean where do I start? In comes, Mikio Naruse in the post war Meiji era, gaining inspiration from what is supposed to be a revolutionary time for women's literature, and adapting such work into movies like this! This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. When a woman ascends the stairs, she steps into the den of lions. The Battle of Chile Part One represents all three parts. The film offers a fascinating glimpse into what that world might look like from an insider's point of view. - Gorgeous b&w cinematography, slow af slow cinema that took me multiple tries to finally sit down and finish all the way through. It was a shame to watch men build rules, boundaries and trap women, who were dealing with their own opressive counterparts/older generation. Anybody claiming to be a hardcore fan of Japanese cinema must recognize the name and talent of the great Hideko Takamine, who stars in her role as Keiko, a woman that seems to be deprived of options. Playing at Stanford University on 4/13. After Mother (1952), Late Chrysanthemums (1954), Floating Clouds (1955), and Flowing (1956), he © Letterboxd Limited. A middle-aged bar hostess, constantly in debt, is faced with numerous social constraints and challenges posed to her by her family A stylish appearance masking a harsh reality is a persistent theme here. Director Mikio Naruse had a great run of cinematic masterpieces throughout the 1950s and in some ways it's capped by this melancholy 1960 film, starring one of his frequent collaborators, the wonderful Hideko Takamine. We follow Hideko Takamine's tragic character ( Reminded me of Ozu-hara, Machiko-Mizoguchi) , a career cut out for a male dominated society, trying to establish her Independence. The main tragedy in this is that Keiko's limitations are entirely artificial. © Letterboxd Limited. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. "When a Woman Ascends the Stairs" is set in a world that seems just as polished and sophisticated as Naruse's craftsmanship when it comes to films. this is some movie. - A melancholy and meditative downer of a film about the constraints of trying to forge a living as an independent widowed businesswoman in 1960's Japan, caught between a rock (untrustworthy men) and a hard place (aging in a society that treats single aging women exceptionally unfairly). The film offers a fascinating glimpse into what that world might look like from an insider's point of view. Read, review and discuss the entire When a Woman Ascends the Stairs movie script by Ryûzô Kikushima on Scripts.com Synopsis: This is the story of Mama, a.k.a. Picks up significantly in the last half hour, which feels oddly crammed with melodrama as it heaps disappointment after disappointment upon our protagonist, who nevertheless ends the film bravely putting on a happy face. But somehow it was elevated. Thanks to Lumenal here on Letterboxd I made it my mission to see this one as soon as possible, and now it feels like I've been introduced to a whole new world of Japanese cinema. When a Woman Ascends the Stairs (女が階段を上る時, Onna ga kaidan wo agaru toki?) Now I see why lumenal loves this film so much, campaigning passionately for this to be the starting point of my venture into Naruse's filmography. Note: The list excludes mini-series, documentary, animated and short films. Put it on your watchlist. The saintly aura that the protagonist, beautifully by Hideko Takamine, creates around her ultimately brings her down even further. More details at I think it shows powerfully a woman's role being limited by having to navigate men to get anywhere. They simply want to own her. Hideko Takamine is perfect in the main role, taking on specific and symbolic weight with naturalistic brilliance. So much emotion delivered with constraint, unyielding yet conflicted as she seems to brilliantly portray every emotion and/or feeling known to humans. Directed by Mikio Naruse. Reminds me a lot of Billy Wilder's The Apartment, really just in how it's shot and paced which was a great feeling at the start of the film. Naruse Mikio) has just about everything I could wish for in a movie – a beautiful heroine presented in a B+W ‘Scope melodrama in which she must make almost impossible decisions about how to gain her independence in patriarchal … And her options for funding are entirely dominated and decided by men, all of whom want things from her they have no right to, no reasonable claim to. So much emotion delivered with constraint, unyielding yet conflicted as she seems to brilliantly portray every emotion and/or feeling known to humans. Its beautifully shot and elegantly scored, it moves very quietly and patiently, but there's enough visual beauty and emotional, human drama to keep the viewer involved. (As of 11/10/20) Sort list by last added for latest additions…, the official avant garden discord server list of movies, spearheaded by the one and only elena. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. This…, Everything on the brand new Criterion Channel Streaming service. The Battle of Chile Part One represents all three parts. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. The saintly aura that the protagonist, beautifully by Hideko Takamine, creates around her ultimately brings her down even further. They are consequences of a male dominated society, of objectification, of callousness. Put it on your watchlist. But appearances can be deceptive, and in this world we follow the life of Keiko. Fortunately, it never feels forced nor too sentimental, which the story might suggest. One of my favorite Naruse films, featuring a remarkable performance by the great Hideko Takamine. Yoshifumi Tajima Akira Tani Mitsuo Tsuda Haruko Tôgô Keiko Yanagawa Michiyo Yokoyama Kyoko Mori, Die Mädchen der Ginza, Cuando una mujer sube la escalera, Quand une femme monte l'escalier, Onna ga Kaidan wo Agaru Toki, 111 mins Yoshifumi Tajima Akira Tani Mitsuo Tsuda Haruko Tôgô Keiko Yanagawa Michiyo Yokoyama Kyoko Mori, Die Mädchen der Ginza, Cuando una mujer sube la escalera, Quand une femme monte l'escalier, Onna ga Kaidan wo Agaru Toki, 111 mins Naruse’s perfectly judged masterpiece knows that women are consistently hindered by society, and often the more they rise the more they are pushed down. Report this film. This review may contain spoilers. I've been putting off watching this because I thought it was going to be quite a formal and serious affair based on the poster and title, but I knew I was wrong the moment the jazzy theme started playing to the opening credits. When a Woman Ascends a Stairs is a story about Keiko (aka Mama), a bar hostess/madame, who has reached an age where she must either buy her own bar or get married because her looks are beginning to fade. Nuansa sendu mengalir secara perlahan sepanjang filmnya. It seems that their many collaborations are comparable to that of Setsuko Hara and Ozu, I look forward to experiencing more. I love this film. Mobile site. Thank you! But this is not a wholly pessimistic film. As her youth slips away, a virtuous geisha (Hideko Takamine) ponders whether opening her own bar is worth the price of her honor. It was a shame to watch men build rules, boundaries and trap women, who were dealing with their own opressive counterparts/older generation. Reminds me a lot of Billy Wilder's The Apartment, really just in how it's shot and paced which was a great feeling at the start of the film. A sophisticated, refined and polished world. Another great piece from the Japanese New Wave, and what a year 1960 was. Now I see why lumenal loves this film so much, campaigning passionately for this to be the starting point of my venture into Naruse's filmography. TMDb A woman that holds her head high, no matter what life throws at her... or what men throw at her, you could say.
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